"Claude Lamothe"

My nine year music mystery has finally, finally, finally been solved. For nine years I have been haunted by haunting cello music. For nine years, I have brought out on occasion a rattling old unlabelled cassette tape, blown the dust off its brittle plastic case and played the music on it with a certain reverence. Cellos. Sounding like trains. Doing things that I have never heard cellos do before. And I like cello music, I've heard a fair amount. But nothing like this, not in nine years.

The cassette came from a Lyric Hammersmith Summer School I took part in, August 1997, in between my first and second year of A levels. The company leading us was Volcano Theatre Company.

The show involved 32 young people, and among our roles were two lawyers in snorkelling gear in a bathtub on wheels, a 4'10" female Superman - no cape!, a Cantonese speaking mallet-wielding housekeeper with enormous feathered wings (me), a pantomime horse, a PVC-clad prosecuting lawyer and a cowboy with a Yorkshire accent. We did warm-ups every morning before we got started on the very physical devised work and I had my first introduction to yoga and pilates as well as weight-bearing, release technique contact improvisation aka how to run around and jump on people without hurting yourself or others too much in time to music. Those warm-ups were done to a variety of music - Hungarian folk songs, Depeche Mode-type industrial rock, Turkish pop and some very striking cello music.

I liked the cello music so much I asked if I could copy the CD but my friend Neil had beaten me to it and had the CD at home. I gave him a tape to make me a copy while he was making his and since then, the cassette has been in exactly the same state as I got it back: unlabelled and slightly battered. Who the hell is the cellist who can do this with my favourite instrument in the whole panoply of musical instruments? (Sometimes I favour piano but that's another story to tell) Who wrote this stuff? Who plays it? Who lets out that gruff, triumphant groan at the end of a particularly gut-wrenching frenzied sawing of the lower strings?

For nine years, all I had to go on was a vague memory of being told it was French Canadian, by someone called "Claude". I finally tracked down the Summer School leader through contacts at work and emailed him. He emailed back the next day.

The cellist / composer is a Montreal based French Canadian called Claude Lamothe. The album I have on the cassette is called Nu from 1995. I've yet to find a place to purchase it on CD or to download. But I know what it is. I know what it is. And it is marvellous.

"My name is Hypatia and I'm hopelessly addicted to Flickr"

K says: you don't get zoom as you'd imagine on digicams, unless you buy the slr cameras that look like old conventional cameras so that the pros still feel like a breed apart
H says: I think that's the only reason why SLRs are so expensive - to make the old analogue professionals feel like they still have an edge over the camera phone bloggers
H says: and yes, probably only reason why they're made to need the oldskool lenses too
H says: they are special tho
K says: no, I personally can't see too much difference to a picture some guy posts on his website taken at 8M + sooperdooper-zoom and my fuji at 2M
K says: it's like paying 8x more to go on an ego trip, and carry a much heavier camera
K says: then again, I do have a bunch of sour grapes
H says: I, on the other hand, have a lovely bunch of coconuts

All a preamble to my latest link. Click for pictorial goodness - now with extra sets! Though still not sure what tags are for and why I should use them.